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This is a tricky show to stage at a moment when discussions about cultural appropriation, conducted with varying degrees of sense and stupidity, burn intensely. The figure in Persephone and the Beginning of Summer all works , for example, is reminiscent of some early colonial depictions of Brazilian indigenous groups or the problematic Tahiti paintings of Paul Gauguin. Squatting, the topless subject has dark straight hair and reddish-brown skin and is shown sat on a beach eating fruit. Yet the title suggests Greek mythology as its reference point. Move through the show and a potpourri of classical and modernist references from European culture and beyond come into play.

Your opinion on the work will depend on whether or not you conclude that for painting to engage effectively in dialogue with its own history, the vast repository of global culture, good and bad, your own and others, must be fair game for reference. ArtReview News artreview. ArtReview Partnerships artreview. The Parisian art fair returns from 22—24 October in a new exciting venue.

Philippa Snow Opinion artreview. The new season of the Netflix thriller becomes a bloody, pleasingly dumb farce about the torture of trying to keep a flagging marriage alive in your early thirties. Martin Herbert Features 13 October There are, her performances suggest, a dozen ways of saying something — and a logic that exists beyond straightforward linguistic meaning.

Charlesworth Reviews ArtReview 12 October Mark Rappolt Features artreview. Share Tweet. Sue Tompkins: Doing Things With Words Martin Herbert Features 13 October There are, her performances suggest, a dozen ways of saying something — and a logic that exists beyond straightforward linguistic meaning.

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